Martin Kinnane

Martin has designed for theatre and events both nationally and internationally. He has lit many for the Ensemble Theatre including Six Dance Lessons in Six WeeksEnd of the Rainbow and Kids StuffLove Loss, and What I Wore and Celebrity Autobiography at the Sydney Opera House; Shakespeare’s R & J and Just Macbethfor the Bell Shakespeare Company; The HatpinLove SongLoveBITESBangBelongings and Unholy Ghosts for White Box Theatre; Fairy’s WingsWorry WortsBugalugs Bum Thief and Sprung for Monkey Baa; Next To Normal for Doorstep Arts; Satango and The House On The Lake for the Griffin Theatre Company; Sunset Boulevard and PromisesPromises for The Production Company; and Letter To Larryfor CheepUk in the Theatre Nesle, Paris.

Work beyond the theatrical includes the Hamer Hall Opening Celebrations in 2012; East Timor’s Independence Day Celebrations for the United Nations; AbsintheDesirand Empire for Spiegelworld in New York, Las Vegas, Miami, Australia, New Zealand, Canada and Japan; and the Papal Ceremonies at World Youth Day 2008.

Martin is possibly best known for his spectacularly theatrical lighting of the Sydney Harbour Bridge (the Bridge Effect) from 2000 to 2007 for New Years Eve, which has brought him international renown.

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